America’s embrace of the influence of art history acknowledges a wide range of artistic influence, including that of Matisse, Picasso, Leger and Chagall, but in emotional reach and painterly vocabulary are very much rooted in contemporary life. One cannot help but recognize the way she rapidly sets herself apart from her peers and propels beauty, vulnerability, refinement and poetry into our world with astonishing precision and force.

JoAnne Artman Gallery is pleased to present, Connecting the Dots, an exhibition featuring new works by America Martin. Referencing Paul Klee’s statement that, “A line is a dot that went for a walk,” the title serves as a fitting descriptor of Martin’s adept and exuberant use of line. Employing smooth, bold curves as well as hard, geometric strokes, she adheres to the most fundamental aspect of drawing - the line - to tell a story, connecting compositional elements and personal narratives throughout her practice.

We look back at excerpts from our conversations that highlight Martin’s studio practice, process, and the continuing inspiration for her most recent body of work.

JA: Do your paintings have autobiographical elements to the narrative? Is this a reason for reoccurring themes throughout your body of work?

MARTIN: Everything is autobiographical. We are living biographies. Artists are just outside the lines about it. There are reoccurring themes, images and subject matters that I return to. These repeating images are at this point still partially responsible for the pleasure, comfort and joy I find when making a new work. For example, say when I clean the house as a rule I listen to very loud Beethoven or Billy Joel. When I paint a women resting in nature I put a small snail or a bird near her, because these are the things that draw my attention and make a moment tender. These themes repeat themselves and tend to go on with a series, until I begin finding interest in a new notion.